THE DEAD ARTISTS' MOON SOCIETY

Bella, Chagall, Cigolo, Cro Magnon Man, Dali, Delvaux, Doyle, Dore, Elsheimer, Ernst, Gogh, Goya, Hiroshige, Homer, Kandinsky, Magritte,
Millais, Miro, Mondrian, Mucha, Munch, Murillo, Neer, O'Keefe, Palmer, Pirosmani, Rembrandt, Rousseau, Turner, Vinci, Warhol,
Wijnen, Wright, Yositoshi. (Compiled by John Moore - Homepage)

Balla, Giacomo

Ernst, Max

 

 

Mondrian, Piet

 

 

Rousseau, Henri

 

Cigoli, Lodevico Cardi

Gogh, Vincent van

 

Mucha, Alphonse

 

Turner, J. M. W.

 

Chagall, Marc

 

Goya, Francisco de

 

 

Munch, Edvard

 

Vinci, Leonardo da

 

 

Cro-Magnon Man

 

Hiroshige, Andō

 

Murillo, Bartolome Esteban

 

Warhol, Andy 

 

Dalí, Salvador

 

Homer, Winslow

 

 

Neer, Aert van der

 

Wijnen, Domenicus van

Delvaux, Paul

 

Kandinsky, Wassily

 

 

O' Keefe, Georgia

 

 

Wright, Joseph

 

Doyle, Richard

 

 

Magritte, Henri

 

Palmer, Samuel

 

Yoshitoshi, Tsukioka

  

Dore, Gustav

 

 

Millais, John Everett

 

 

Pirosmani, Niko

 

 

 

 

Elsheimer, Adam

Miró, Joan

 

 

Rijn, Rembrandt van

 

 

 
BALLA

"Street Light" by Giacomo Balla - 1871 - 1958

 

 

 

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CIGOLI

"Immacolata" (Virgin of the Immaculate Conception) by Lodevico Cardi (known as Cigolo) - 1559 - 1613

In most holy paintings of the16th and 17th centuries showing the blessed Mother Mary standing on the Moon, the lunar
representation was sometimes of a pristine, smooth appearance in a waning crescent position (that is, as seen
in Bartolome Murillo's painting below). However, as Cigoli was a close friend of Galileo, and was well aware
of his lunar observations, he has painted the Moon here from a waxing crescent perspective with both irregular and
pitted marks that represent the craters Galileo saw through his homemade telescope.  

 

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CHAGALL

 

(1) "Equestrienne (L'écuyère)"     (2)"Lovers near Bridge"     (3)"The Painter to the Moon"    by Marc Chagall - 1887 - 1985

 

 

 

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CRO-MAGNON MAN

"Brown Horse in Lascaux Caves, France" by Cro Magnon Man - 15000 years ago

The 29 dots shown here below the brown horse are thought to represent the moon's 29-day cycle. Half way through the series a small group (loop) of dots are seen, which may have been painted to represent the full Moon when it wasn't seen in the sky for several days.

 

 

 

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DALI

 

(1) "Still Life by the Light of the Moon"  (2)"Big Thumb. Beach. Moon and Decaying Bird" by Salvador   Dalí - 1904 - 1989

 

 

 

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DELVAUX

"Sleeping Venus" by Paul Delvaux - 1897 - 1994

Delvaux painted the 'Sleeping Venus' in Brussels in response to bombing of the city during WWII

 

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DOYLE

 

 

(1) "A Fairy and a Knight"     (2) "Dancing Fairies"   (3) "The Knight and the Spectre"   by Richard Doyle 1824 - 1883

 

 

 

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DORE

 

"A Midsummer Night's Dream" by Gustave Dore

 

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ELSHEIMER

"Flight into Egypt" by Adam Elsheimer - 1578 - 1610

Left: This painting is considered the first to depict the Moon (in an actual painting) with a naturalistic approach.
Elsheimer begun the painting in 1609 in Rome, and finished it in 1610... (the date Siderius Nuncius was published!).
Scott L. Montgomery has a long passage on this painting (p. 130-132) in his book
'The Moon and the Western Imagination' - Review written by Jacques Thibault

Right: Close-up view of the Moon in the painting showing dark regions that may, in fact, be the Maria (lava deposits). 

 

 

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ERNST

 

 

"The Entire City" by Max Ernst - 1891 - 1976

 

 

 

 

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VAN GOGH

 

(1) "Starry, Starry Night"    (2) Moonrise" by Vincent van Gogh - 1853 - 1890

Several years ago, three scientists (Donald Olson, Russell Doescher and Marilynn Olson) from Southwest Texas State University investigated van Gogh's 'Moonrise' painting above to look for the scene - they found it by referring to the mountains and house in the painting. To many, it was believed that van Gogh had painted a sunset, however, they were able to pinpoint, roughly, the date (between May 16 and July 13, 1889) when he actually produced it, and they used software and lunar tables to see when the Moon would have risen in that location. The Sun, it was found, to have set in the opposite direction, so the title fits the painting today.

 

 

 

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DE GOYA

 

"The Witches' Sabbath" by Francisco De Goya y Lucientes - 1746 - 1828

 

 

 

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HIROSHIGE

 

(1) "Full Moon at Seba c.1837" (2) "Moon Viewing Pine, Ueno" (2) Autumn View Over Tama River. From the Series Eight Views of the Environs of Edo" by Andō Hiroshige - 1797 - 1858

 

 

 

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HOMER

 

"Kissing the Moon" by Winslow Homer - 1836 - 1910

 

 

 

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KANDINSKY

 

"Picture XVI, The Great Gate of Kiev" by Wassily Kandinsky

 

 

 

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MAGRITTE

 

(1) "Le Chef D'Oeuvre ou Les Mysteres de L'Horizon"   (2) "The Blank Page" by Henri Magritte - 1889 - 1967

 

 

 

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MILLAIS

 

"The Moon is Up, and Yet it Is not Night" by John Everett Millais - 1829 1896

The title is a quotation from Lord Byron's 'Childe Harold's Pilgrimage'

 

 

 

 

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MIRO

 

(1) "Dog Barking at the Moon"  (2) " Bathing Woman" by Joan Miró

 

 

 

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MONDRIAN

 

"Trees by the Gein at Moonrise" by Piet Mondrian -- 1872 - 1944

 

 

 

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MUCHA

 

"The Moon and the Stars. The Moon" by Alphonse Mucha - 1860 - 1939

The above painting forms part of four in a series from "The Moon and the Stars"

 

 

 

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MUNCH

 

"Moonlight" by Edvard Munch - 1863 - 1944

 

 

 

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MURILLO

"La Immaculada Concepcion de Soult" (The Immaculate Conception of the Venerable Ones, or of Soult)
by Bartolome Esteban Murillo - 1617 - 1682

 

 

NEER

 

"Canal Scene by Moonlight" by Aert van der Neer - 1603 - 1677

 

 

 

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O'KEEFE

 

(1) "New York with Moon"   (2) "Pelvis with Shadows and the Moon" by Georgia O'Keefe - 1887 - 1986

 

 

 

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PALMER

 

"A Cornfield by Moonlight with the Evening Star" by Samuel Palmer - 1805 - 1881

 

 

 

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PIROSMANI

 

"A Bear in a Moon Night" by Niko Pirosmani - 1862 - 1918

 

 

 

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REMBRANDT

 

"The Nightwatch" by Rembrandt Harmenszoon van Rijn - 1606 - 1669

The wonderful use of light here in this painting is believed to be either from the Moon, a low-set Sun or from torches. It has not yet been established which was the true source used, however, for now, let's presume that the Moon may have played, in part, a role.

 

 

 

 

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ROUSSEAU

 

(1) "A Carnival Night"     (2) "Sleeping Gypsy"    (3) "The Snake Charmer" by Henri Rousseau - 1844 - 1910

 

 

 

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TURNER

 

(1) "The Fighting Temeraire Tugged to Her Last Berth to be Broken Up" (2) "Moonlight" by J. M. W. Turner - 1775 - 1851

The Moon is located close to the upper left corner (note it's reflection) in the Fighting Temeraire painting.

 

 

 

 

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DA VINCI

 

Moon Sketch by Leonardo Da Vinci - 1452 - 1519

 

 

 

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WARHOL

 

"Moon Suite" by Andy Warhol - 1928 - 1987

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WIJNEN

"The Temptation of St. Anthony" by Domenicus van Wijnen (aka: Ascanius) - 1661 - 1720

 

 

 

 

 

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WRIGHT

"Dovedale by Moonlight" by Joseph Wright - 1734 - 1797

This wonderful view is of Dovedale valley in Derbyshire, England. Wright's moonlit landscape may have been influenced by those of German artist, Adam Elsheimer, but it has been suggested that he didn't actually paint the above scene from nature - Quote: "Moon lights & fire lights are but a sort of work with me for I can't with impunity go out at night and study the former, and the latter I have seen but once, and at a time too, when I thought not of painting such effects."

 

 

 

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YOSHITOSHI

 

 

"Musashi Plain" by Tsukioka Yoshitoshi - 1839 1892

The above image is just one of a hundred found in this artist's series entitled "One Hundred Aspects of the Moon". The series were produced from woodblock prints and each links together ancient stories from Japanese and Chinese legend and history. They also show the artist's own social comment about his country's glorious past in an approaching western ideology - forced into Japan during the 1860s.

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